Cenário de produção e realização audiovisual, ideias criativas, roteiros, literatura de ação, reflexão cultural, arte criativa e desenvolvimento cultural
The plot of course has deaf, dumb, blind Tommy Walker (Roger Daltrey)
becoming a pinball champion and developing a cult following. Daltrey
has no trouble getting into the role, especially when he sings "I'm
Free". Equally good - and quite perceptive - is Ann-Margret as his
mother Nora, using his celebrity to enrich herself; I really liked the
scene where she hallucinates soap, beans and chocolate pouring out of
the TV set. Oliver Reed seems a little bit wooden as Frank, whom Nora
marries when she hears that her husband has gotten killed in WWII, but
he still passes. Tina Turner really goes over the top as the Acid
Queen, who tries to cure Tommy. Elton John is OK as the Pinball Wizard,
but I guess that anyone could have done that role. Probably the most
surprising cast member is Jack Nicholson as The Specialist; I mean, who
would have ever imagined Jack Nicholson of all people in a musical?*
Peter Townshend, John Entwistle and Keith Moon also appear.
All in all, director Ken Russell instills this movie with the same
sensibility that we find in the rest of his movies. Maybe it seemed
better in the cinema, with its quintaphonic sound. But it's still
something that I recommend to everyone. In conclusion: See it...feel
it...touch it...heal it.